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February 3, 2012 Three Little Boat Paintings Finished!

by Susan Renee Lammers on 2/4/2012 12:20:42 PM
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"Calm Maine Day" 5x7 oil on copper 350$ Framed in gold wood.  Shipped free.
    I worked a long time on this little painting.  I tried hard to create water as luminous as possible.  I painted with Cerulean Blues, light mixtures of Cadmium Red Light and Titanium, and very light values of Cadmium Yellow Light and Titanium.  The broken colors created luminous water.  The drawing of this skiff and guy rowing was difficult.  I just took my time carving out the boat and man.  I didn't want the boat to be right in the middle of the painting.  So I planned how I would change the image so the boat was off to the side.  
"Silver and Gold" 36 x 48 Oil on Copper.  2500$ Framed in Gold wood.  Shipped free in USA.  
    I have been working more on this large painting.  A friend of mine came down from Connecticut to offer some ideas regarding the painting.  It was useful having an experienced painter take a look.  She really liked this painting.  I need to add a few more silver highlights to the water on the right.  I also need to sign the painting!  I will drive to Connecticut to pick up a custom 4 inch gold contemporary wood frame for this painting.  It will cost 100$  me to ship to most places in USA.  I am sure I will charge 5000$ soon for a painting this size.  I just would like to sell them so that I can buy more large copper panels.  
"Tranquil" 6x6 oil on copper.  350$ Framed in gold and shipped.
    I lightened the hull in the shadow side and then I darkened the hull some!  It is tricky painting.  But I am pleased with this painting now.  I am glad I kept at it!  Good paintings take a lot of hard work before they are just perfect. 
   Have a good night!  I hope you are painting.  There is ice everywhere all over the ground here in Maine.  Not my favorite walking or painting conditions!

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February 2, 2012 Photos Of My Golden Retrievers as Puppies!

by Susan Renee Lammers on 2/3/2012 11:27:04 AM
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Here I am holding Duke who is only 6 weeks old as Daisy on the left sniffs Duke!  We both loved Duke at the very sight of him.  Duke was a birthday present from a ex boyfriend trying to get into my good graces.  He said later he knew it would be difficult for me to date with two huge dogs.  Actually two giant dogs helped to weed out the guys with bad character!  Robert, my husband, loved Daisy and Duke the first day he met them.  In fact he came to my house an hour early on the second date with a dog toy present for Daisy and Duke!  I came back from a store to see Robert sitting down on the grass playing with Daisy and Duke! They were climbing all over him giving him kisses!  I was very shocked!

  Duke with boots.
Normally Daisy and Duke didn't like any of my guy friends.  Many times Duke or Daisy bit them, knocked them down, or ripped their clothing.  They tortured the poor guy.  The guy felt embarrassed or scared to go out with me again!  One time I saw a guy bend down to tie his shoe.  Duke ran towards him stuck out his foot to knock him over!  I knew Duke didn't like that guy.  I would take notice of this and not go out with the guy.  Another night, the guy showed me  a hole in his pants revealing his underwear! He said one of THOSE dogs bit him and tore his pants.   He said he was going home to change his clothes but never came back! Many different guys claimed Duke and Daisy bit them.  I never saw this happen.  
  Duke at 6 weeks old.
  The worst incident happened when I finally introduced Daisy and Duke to a serious boyfriend.  I had been apprehensive about introducing the dogs to him.  I knew anything could happen from experience.  I may have even warned him!   Somehow I didn't think the meeting would  go well.  I was right!  Before we arrived at my house Daisy had discovered a case of Red Bull energy drink cans in the kitchen.  She discovered if she bit the cans, sugarly liquid came out, and she eagerly bit each can.  There is some evidence to suggest Duke also partook in the Red Bull party.  When I opened the door I saw Duke and Daisy leaping in the air in a giant arches.  Over and over again they leap as if they were ballerinas.  I looked at my friend whose eyes were large!  His mouth gaped in shock.  He didn't want to go inside the Dutch door that separated the dogs from the living room.  He just watched.  The dogs continued to do this dance for five minutes.  So we gave up trying to visit with them.  He walked back outside where his truck was.  He asked me if I would sell my dogs.  He said he was a cat person.  He didn't think he could live with THOSE dogs.  I never saw him again.  Farewell!  Later I discovered this guy was engaged to another woman as well.  She actually called me to find out who I was! I told her she could have him!   Daisy and Duke were very good judges of character.  
  Duke a year old really preferred to wear this hot pink visor with glasses at the beach.  Without the hat and sunglasses Duke's eyes would water.  He would hide his head under my beach chair trying to get away from the sunlight.
 
Here is Daisy (outside) trying to teach Duke to use the dog door.  She stood outside talking to him.  She did hold up the plastic flap so he could walk through the dog door opening.  After Duke joined her in the backyard, she spent the day showing him around.  She found a large tree limb to drag around.  I saw them both dragging around the tree limb for a while.  She showed him all her toys.  They were the very best of friends.  
Here is Daisy at 8 weeks old swimming for the first time.  
Here Daisy sees her first large body of water.  She was afraid.  Later she would love swimming.
Daisy with her big purple bear.  
    Robert always enjoyed Daisy and Duke.  He told me later he wanted two large dogs again.  His job prevented him from having them.  There is always a guy for every girl.  I consider myself lucky to have Robert,  Daisy, and Duke.
I remember coming home from College, sitting down on the ground, and visiting with the puppies!  They were so much fun. 
 
    Have a nice day!  Get out and paint!

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February 1, 2012 Photos Of Daisy's and Duke's Puppies!

by Susan Renee Lammers on 2/1/2012 2:25:47 PM
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Here are Daisy's and Duke's first litter of puppies...all 11 of them!  They were adoreable!  There were many different colors, English creams, light blondes, and dark reds!  What a handful!  Daisy and Duke kept very busy feeding and cleaning them.
Here I am 40 years old holding a puppy.  I don't like many photos of myself.  But I do like this one.  
   Here is Duke cleaning a puppy!  He was such a busy Dad.  After the puppies all were in new homes, Duke still was cleaning any puppy he found at the local dog park.  I usually had to explain all this puppy cleaning to the puppy's owner.  Only one lady didn't approve.  She didn't like Duke cleaning her puppy with such strange intensity.  The puppy however, loved all of Duke's attention!
Look closely on the right hand side.  You will see tiny Golden Retriever puppies!  Duke is taking watch as Daisy went outside.  
Daisy is seen playing with a few puppies!  She could be a "touch love" Mother sometimes.  It must have been stressful and tiring to feed all 11 puppies.  I had to sleep right next to the kiddy pool the first 5 nights.  I rescued puppies Daisy had laid down onto.  I would hear a loud squeal, reach under Daisy, and pull out a puppy!  
Here are the proud parents.  This is their second litter. They only had three puppies.
It was very hot in Florida.  Daisy and Duke had two kiddy pools in the backyard.  Normally I kept the hose on just a little to replenish the pool with fresh water.  All of the dog's dirty feet would turn a pool dark quickly.  Here is Duke laying down in the pool with a puppy getting ready to go for his first swim!  
Here is daisy with a few puppies. 
Here is one of their largest puppies at 6 weeks old.  I decided to give each puppy a bath.  Each puppy reacted differently.  This puppy was very relaxed during the bath.  I had to hold him up or he would have fallen under the water.  Some other puppies fought me like I was trying to kill them.  Others were fascinated with the water.  I remember having a time with a few puppy buying clients trying to explain why the puppies were so big!  I fed them Science Diet puppy food and goat's milk.   They weighed 20 pounds each!  Their food bill costs me hundreds each week!  It was a lovely experience for Daisy and Duke and I!
I hope you enjoyed seeing Daisy and Duke's family photos.  Maybe I will share more of these photos tomorrow!  Have a great day!  I hope you are painting!

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January 31, 2012 Daisy and Duke's First Litter of Puppies!

by Susan Renee Lammers on 1/31/2012 9:51:14 PM
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     Duke and Daisy were probably the most happiest after having their first litter of puppies.   They had 11 living puppies.  Duke was not your typical Golden Retriever Father at all.  He was the only one who would clean the puppies four or five times a day.  He would vigorously clean each pup for a few minutes.  He would flip them over and clean the other side of the pup.  He took this job very seriously.  Daisy fed them.  She never ever cleaned the puppies.  It was as if she allowed Duke to take over this job! 
 
    When Daisy took a walk out in the backyard, Duke quickly climbed into the blue plastic kiddy pool lined with papers.  Duke laid down and allowed the puppies to crawl all around him.  He cleaned and nuzzled the puppies.  He was so incredibly proud of them.  Duke just glowed spending time with his family.  It was difficult to get Duke out of the kiddy pool  when Daisy came back inside.  She would stand there waiting.  Sometimes they would both lay down in the kiddy pool.  I remember being glad I purchased the larger size kiddy pool!  
     When the pups started to eat puppy food Daisy and Duke both sat there watching them.  One puppy put his paw out and growled at another puppy after the first bite of food.  I guess he decided the food was so good he wanted the other puppy to have any!  There were more growling between all of the puppies.  This created strange tension for Daisy and Duke.  At least once Daisy started to bark at the puppies.  I had to step in, pull back Daisy and Duke, and allow the puppies time to eat growling and all!  
     
    At night I would put Daisy and Duke with their 11 puppies back in the laundry room.  In the morning I would open up the door.  I will never forget the loud thunder noise created as these 11 good sized puppies came running down the hall to go outside! They sounded like elephants!  They were all eager to get outside.   I would bring them two huge platters of dog food with goat milk.  After eating they would take a nap.
    Then it was play time for these puppies!  Daisy and Duke had so much fun wrestling, playing tug of war, chasing the puppies.  Duke had a giant 20 inch purple teddy bear.  He would take this giant teddy bear and hit the puppies with the bear.  The puppies would normally fall over. Daisy would grab a huge stick and drag it around the yard with a few puppies trying to help. They were teaching the puppies different doggy things! 
    Later the most extraordinary thing happened.  We were all in the backyard.  Daisy and Duke had been playing with the puppies.  The wind blew the backyard gate open.  Daisy and Duke resorting to their old habits escaped through the gate to the front yard.  I saw the whole thing happen.  I ran into the house to grab their leashes. I was yelling "Daisy, Duke, Come Back HERE!"   I was chasing them in the front yard. This is what I saw:  Daisy and Duke were in front running.  Behind them were 11 puppies running as fast as they could trying to keep up!  Daisy and Duke both turned to see all their puppies running into the street behind them!  Duke and Daisy turned around and ran back into the backyard.  The puppies followed!  I closed the gate!  I have never seen two more relieved Golden Retriever parents in my life!  No longer where Daisy and Duke escape artists!  They were mature caring parents.  They really loved their puppies.  
      Have a great night!  It has been lightly snowing here in Maine.  Tomorrow I will paint!
     

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January 30, 2012 Maine Winter Photos Driving Home!

by Susan Renee Lammers on 1/30/2012 4:58:31 PM
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    Here are a few photos I took during the drive home to Maine today!  Look at this amazing scene!  I really really wanted to paint this.  The house in the distance was a bright green.  
I think Emile Gruppe (painter) would have loved to paint here!  
Snow was being blown near to the ground.  
I have this strange fascination with ice fishing.  I pulled over at Lake St George State Park.  I walked on top of ice to take a few of these photos.  Sometimes I stand there and just watch ice fisherman.  This always makes them nervous.  I will bring my painting equipment on iced lakes and paint ice shacks.  I can paint and watch them so it makes me less conspicuous.  
I found antique ice fishing basket and equipment for 20$ last Spring.  I had hoped to paint ice shacks this year using my fishing basket as a foreground prop.  
Robert and I both starred at this photo.  We couldn't figure out if he was letting the fish go.  When I was taking the photo it looked like the fish jumped out of a ice hole.  I just happened to be zooming in on him at the same time!  
    It is nice to be home again!  Daisy and Duke and Robert were so happy to see me again.  I made a few new painter friends.  I saw some exciting new scenes.  I really enjoyed myself.  I hope you enjoyed seeing the photos!  As always, feel free to paint any of the photos.  Just change them a little somehow.  Have a good night.  Paint!

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January 29, 2011 Winter Photos of Bath and Franconia, New Hampshire!

by Susan Renee Lammers on 1/29/2012 1:46:20 PM
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"Skiers" 6x6 oil on copper.  350$ Framed in gold wood.  Shipped free.
   I painted in a few skiers using my computer monitor as a guide.  Now I am happy with this painting.  The skier's obstacle of these potentially dangerous trees makes an interesting contrast to my enjoying to paint the same trees on location.    I am a lousy skier.  I would have come down this slope sitting on my skis. I have great admiration for athletic people.  
"The Sugar Maple Tree" 6x6 oil on copper 350$ Framed in gold wood.  Shipped.
    Today I softened edges and lightened my sunlit areas.  I worked more on the road's shape.  It is difficult to paint a road that looks like it is going up and down.  I wanted the feeling of this mountainous country like area.
This is Franconia Notch in the background.  I drove around today and took more photos.  The sun was going in and out so I would stand there waiting for sun to take photos!  
This is the Lost River.  It meanders along the highway for miles.  
There are a few nice red barns long the winding roads.  There isn't any place to park or set up to paint.  A painter would have to knock on the door to ask permission to paint these barns.  Most of the time people are very happy to have a painter paint their barn.  I normally show them my professional business card that displays a good painting.  While I am at their door step, I also ask if they would like to see the finished painting.  They always say, "Oh yes!".  I also tell them they can come out to take a look at the process any time.  Sometimes they will come out with their kids to take a look.  
   Bath, New Hampshire is really pretty.  They have an extra long wooden bridge painted red.  I could only take a few photos.  Too icy to walk about with heavy painting equipment by yourself!  
    I am tired and my back is sore from painting yesterday outside.  The cold air is invigorating yet tiring. I must remember to drink a lot of water.   The colors of snow are so amazing in the sunlight.   Have a great night!  Get out and paint!

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January 27, 2012 A New Skiff Painting!

by Susan Renee Lammers on 1/27/2012 12:34:18 PM
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"Quiet Day" 6x6 oil on copper 350$ Framed in light gold wood.  Shipped.
     I worked very hard yesterday!  I painted another painting of this skiff two years ago.  I decided to change the format to a square.  I like how peaceful the scene looks.  There are interesting contrasting textures of the water, skiff, and dock.  I used Cerulean Blue.  What a beautiful color!
Here is Duke and Daisy barking at me!  I guess they know there was a painting sale last night.  So they tried to inspire me to give them a special treat!  I handed them each a Frosty Paw Ice cream treat.  They were so happy!  Thank you for the painting sale!  
   I will tell you a funny story about Daisy and Duke.  We lived on a dead end dirt road in Winter Park, Florida for the first four years of Daisy and Duke's life.  When I would go off to college at Stetson University in the morning, Daisy and Duke would either dig out of the backyard or use an already previously dug hole to leave.  They would spend their days visiting with neighbors, swimming in their pools, or sitting inside of their house.  They visited near by college called Full Sail.  They also went to the Vet on Forsyth Road.  I had no idea all this crazy activity was going on.  I learned of their adventures on the last day we lived on Easter Street.  My neighbor had a chili cookout.  I was invited.  I was only there a few moments when the stories started!  
   One of my favorite stories was told by my neighbor who lived a few doors down.  She lived in a single wide mobile home trailer.  I had never met her.  She kept to herself.  She said she was cooking fried chicken in her kitchen.  She had the front door open for air.  She had her TV set on.  She looked over to see two blonde big dogs sitting on her couch watching TV.  She screamed.  Daisy and Duke flew out the door and ran home.  She said she never saw them again!  
    Another neighbor told a story of Daisy and Duke visiting with them in their carport.  Their whole family was sitting in the carport.  They had a few young kids and a baby.  The Father told me everything was going very well at first.  The kids were enjoying the dogs.  They were all petting Daisy and Duke.  The kids found a stuffed animal.  Daisy and Duke were playing tug of war with the toy.  They were playing keep away with the kids.  Then Daisy went over to the baby.  She sniffed the baby's diaper.  Before the Father could grab the baby, Daisy pulled the diaper off, and ran home.  The Father shouted!  So Duke ran with Daisy.  But then Duke came back, grabbed the Father's flip flop, and then ran home. When I came home from school that day, a young boy knocked on my door.  When I opened the door, the boy said to me, "You owe my Dad a new pair of flip flops sized 11."  Then he away and went home.  I had no idea who the boy was or what he was talking about.  So I never did buy a pair of flip flops.  At the chili cookout, the Father said, "YEah, and you still owe me a pair of flip flops!".  Everyone roared with laughter.  
    Maybe I will tell you a few more Daisy and Duke stories tomorrow.  They were very mischievous dogs.
 
   Now I must get back to work!  Have a great day!  Paint!

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January 26, 2012 Two Cod Dory Paintings!

by Susan Renee Lammers on 1/26/2012 5:36:28 PM
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"Solitude" 6x6 oil on copper. 350$  Framed in gold wood.  Shipped free.
      Yesterday I worked on this painting until 2 am!  I am turning into a racoon this Winter.  Oh well.  Robert jokes as soon as he goes to sleep, I start to work!  I do like how quiet everything is.  I have always been a "night owl".  I don't know if this is because I am creative.  We are all created differently for different purposes!  I am glad.
     I asked Facebook friends for titles.  One lady came up with the name "Solitude".  Stapleton Kearns suggested "Triumph over Death with Hope".  I think this title is very interesting.  This title is more interesting than the painting!  I do have fun with Facebook.  Stapleton Kearns has a very interesting blog.  He did a really good post recently on color temperature.
"Tranquil" 6x6 oil on copper.  350$ Framed in gold wood.  Shipped free.
    I am doing a series of these Cod Dories.  I like the feeling of these peaceful paintings.  The dory is difficult to draw.  I hardly ever see these dories in the water here in Maine.  Usually these dories are out of water and not as exciting.
"Thinking of Aldro Hibbard" 5x7
     This painting sold off my website today to a complete stranger!  How cool!
      Fineartstudio websites are the very best.  They have an online contest called Bold Brush each month.  If you have a website through them, you can enter a painting each month for free.  Usually the cost is 14$ per entry.  A client saw a painting on this contest.  They clicked on my website to view my work.  They started to pay attention to the blog.  Today they bought a painting!  Thank you Annette from Illinois for purchasing a painting.  Daisy and Duke will have a Frosty Paw icecream treat for dogs tonight to celebrate the sale!  
   Have a great night!  Paint!  

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January 24, 2012 Wekiva River Canoe Painting To See!

by Susan Renee Lammers on 1/24/2012 3:51:53 PM
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"Wekiva River" 6x6 oil on copper.  350$ oil on copper.  Framed in gold wood,  Shipped free
    I was inspired to look through my photos of Wekiva River in Longwood, Florida last night.  I liked this image.  So I stayed up late painting.  I didn't finish till 2:00 am.  Sometimes I feel like a racoon during the Winter.  I feel like sleeping all day and then running around in the house late until the evening snacking!  Very naughty.  Hee Hee!
    I cropped a close up and desaturated the color to see if I would prefer a little less color.  I like it best how I painted it with some color.  
   Robert and I took Daisy and Duke for a run on Sears Island beach.  I came upon this little creek coming out of the woods into the ocean.  It was 43 degrees here today.  We have lost all of our two or three inches of snow.  Daisy took off after a few seagulls.  They both saw a chipmunk and chased him.  Lovely fresh salt air felt wonderful.  I have been inside the house too much!  
     Have a great night!  Get out and paint!  Spring is around the corner.

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January 23, 2012 Copper Painting Workshop in Florida!

by Susan Renee Lammers on 1/23/2012 8:51:28 PM
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   Here is an opportunity to learn how to paint on copper en plein air.  On March 11, Sunday, in Longwood, Florida at the Wekiva Island on Miami Drive, from 9-4pm I will show you how to paint on copper!  The cost is 50$ including a 8x10 copper panel.  Here are some things to look forward to learning during this day:
9:00am-11am Discuss the history of painting of copper.  I will show you how to cut copper.  I will show you how to seal a finished dry copper painting.  
10am-12pm  I will demonstrate how I paint plein aire on copper.  This demo painting will be given away to one of the workshop participants.  
12pm-3pm  Workshop participants paint. 
3pm  I will give a quick critic of each painting privately.
12am-3pm You will paint if you wish.  
3pm I will give a private critic with each participant at their easel. 
3:45pm I will answer any questions.
    I have quite a few people signed up early.  If you are interested in attending, call me at (207) 479-9553 or email me at Theartistrenee@aol.com.  
    You do not need to paint during the workshop.  If you would like to just watch and be inspired this is fine.  All levels of painters are invited to attend!
"Canoe, Canoe?" Sold at auction!
"Up The Wekiva River" 6x6 Oil on copper.  Private collection!  
"Sweet Dauphney" 6x6 oil on copper.  
Have a great night!  Get out and paint!  It was raining all day...but there is hope...Spring is around the corner!
    

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January 22, 2012 Three New Paintings To See!

by on 1/22/2012 3:35:20 PM
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"Winter Sunset" 6x6 oil on copper 350$ Framed in black satin with gold wood.  Shipped.
    I have been hard at work again painting!  I was studying old master's paintings from Askart.com the last few weeks.  Now I have produced a few new paintings for you to see.  Here is a scene I saw in Presque Isle, Maine.  When it is very cold the colors of the Maine Winter are the most illuminating sight!  Colors glow.
     "The White Pine" 6x6 oil on copper.  350$ Framed in black satin with gold wood.  Shipped.
     I am in love with Maine trees glowing in the sunlight!  They look so beautiful.  I could paint only trees easily.  The White Pine is a difficult tree to paint.  The needles grow in small tuffs.  Daisy and Duke were in the car while I was taking photos of the tree.  They were probably wondering what I found so exciting.  They seemed to be searching for any animals.  I could tell there were intently looking.  I admired the complementary colors.  
"Amongst The Birch" 6x6 oil on copper.  350$ Framed in black satin with gold wood.  Shipped free. 
   I worked on these paintings for the last few days.  I thought I would suprise you with a bunch of them!  I think it is a good idea for a painter to take breaks from painting to admire old master's work.  I don't know if any of these paintings changed my style.  I seem to have my own impressionist style.  
    Hope you enjoyed seeing these new works!  Paint!

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January 21, 2012 Daisy and Duke enjoy Laurence Welk. Sold a Painting! More about a painting signature!

by Susan Renee Lammers on 1/21/2012 7:11:37 PM
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"Chickadees on Alamoosook Lake" sold!  Daisy and Duke each had a pig ear to celebrate.  Thank you Deborah!  Happy Birthday!  
    While I was painting today I noticed Daisy and Duke both watching Laurence Welk Show.  For a few minutes they listened and watched.  Then they settled down but I could tell they were still enjoying the music.  After a while they were sound asleep.  Earlier I was listening to Jazz.  Duke didn't like Jazz at all.  He let out a long moan to let me know this.  We learn something each day even from dogs!  
"Pink Roses" 6x6 oil on copper.   Sold last year.
"Pink" 4x4 oil on copper.  250$ Framed in gold and shipped free.  I have always liked this painting.
"Nest" 6x6 oil on copper.  350$ Framed in gold and shipped.  Seagull egg and nest on Monhegan island!  
   Here are interesting bits of information I discovered while researching the color Red.  I can see value in signing a painting in Red paint.
1.  Red symbolizes many positive emotions.  Red stimulates, excites, draws attention, increases enthusiasm, stimulates energy, increases blood pressure and heart rate, encourages action and builds confidence.  
2.  In most countries around the world Red means different things.
    Russia-Red denotes beauty.
    China-Red is a symbol of fire, South, and Summer
    Japan-Red is associated with deities.
    Sweden-Red is reserved for the weathy class.
    China- Red is a symbol of good luck and good fortune.
    Greece-If two people say the same thing at one time, if they touch something red a future argument will be prevented.
    Jamacia- "Red" word is slang for drunk.
    England- Red phone booths and red buses are a national icon.
    India- A Red mark on the forehead denotes luck.
     Hindu-Red means Joy.
    Singapore-Red means Joy.
3.  Interesting facts about Red.
    Red is the highest arc of the rainbow.
    Red is the first to leave the earth at twilight.
    Red is the longest wavelength.
    Red is the only color not seen by a bee.  Bees can't pollinate red flowers.
        I was trying to find information about signatures today.  I discovered Salvador Dali signed his signature in blood.  I am not going to do that!  
       I discovered in the 15th century most painters didn't sign their paintings.  Painters signed their frames instead.  It was common for painters to carve or write "(Name) made this".  Jan van Eyck signed only two of his paintings.  He signed them "Alsikkan" or "As I or Eyck can".  The other painting he signed hidden within the painting above a mirror, "Jan van Eyck was here 1434".  Many frames were either replaced or lost.  Signing frames was not too good of an idea.  
     Cave men signed their cave paintings in an oval shape or hunting tool shape.
     Some painters signed their paintings with their finger print or their hand.  
     There is very little information out there regarding a painter's signature.  I hope you found this interesting.  Have a good night!

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January 20, 2012 How To Sign Your Oil Paintings! Photos of Winter in Maine.

by Susan Renee Lammers on 1/20/2012 6:03:16 PM
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   I thought I would show you Winter photos of my town, Bucksport from Fort Knox.  
   Here is how Willard L. Metcalf signed his name on oil paintings throughout his career.  I subscribe to Askart.com once in a while just to look at dead painter's art.  They have quite a selection to look at.  I learn a lot by looking at good artist's work.  These painters were very successful.  Today I decided to look at a few painter's signatures.  I normally use the back of my brush to scratch in my name.  The larger oil paintings I have done recently require a more traditional approach.  I will wait till the painting dries, then use a small rigger or liner brush to sign my name.  I have heard using a medium allows for better lines.  There are so many different ideas regarding your painter's signature.  Here are a few things I have heard.  
  
Here is John Singer Sargent's signatures. 
    Most painters have told me to sign your name on the right hand lower side of the painting after it is dry.  If the painting itself is dry, if you mess up signing your name, you can wipe it off, and try again.  Arne Westerman, a great watercolor painter, advised his class to sign in red paint.  He thought the red drew the eye.  He also said to make the signature large so someone with failing eyesight could read it!  He told us the red large signature was the greatest way to advertise free.  He also left a white triangular shape by the signature to draw the eye down to his name.  The whole painting might be darker, but the very bottom would be left white.  My painter friend, John Caggiano, worked hard to develop a signature.  He finally decided to use red paint.  He paints a quite large cursive signature where the end wraps up around to  dot the i.  He had this signature made into a wooden sign for his gallery in Bearskin Neck, Massachusetts.  
  
Asher Durand's signature.
    Stapleton Kearns suggested I sign my signature on the right lower hand side.  His reasoning was, most people who look for a signature in this area.  I just don't think he would sign in red paint.  He does paint in the year under his name. 
  
George Inness's signature.
     Some painters have a wooden stamp created with their signature.  When the painting is dry, they just stamp in their signature!  Some people opt not to have any signature as they think it will ruin the design.  Instead they sign the back of their work.  My art professor at Stetson University, Gary Bolding never signed his name on the painting.  He thought the signature ruined the composition he had created.
    Many women painters believe they should sign in capital letters with their first name as an initial.  They believe this doesn't allow the viewer to decide if the painter was a woman.  I just can't think this is good reasoning.  I hope people buy art because they love it.  
    Here is a another photo of my town of Bucksport!  
    Sunkissed Cedar trees are lovely!  I took Daisy and Duke for their daily car ride.  They enjoyed the ride as usual.  Daisy fell asleep on the way home.  
  
A beautiful warm leaf Beech tree!  We had two or three inches of snow last night!
    Have a warm evening!  
    

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January 19, 2012 Photos of Paul Goodnow and Vermont Winter Painters.

by Susan Renee Lammers on 1/19/2012 5:15:27 PM
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    Last year for a few days some of the very best New England painters met together in Jeffersonville, Vermont.  Here are most of these painters at 6am getting ready to go paint.  It was seriously cold, minus 20 degrees below zero.  Paul Goodnow, who just passed away yesterday, is the man on the most right hand side.  Barrett Devitt is the man standing to his left, then John Caggiano.  Stapleton Kearn is infront of John.  Michael Graves is on the left.  I can't remember who the lady is on the left.  
    I am pretty sure this is Paul Goodnow on the left walking with Stapleton Kearns.  We all went to a very small town in Vermont to paint.  It was snowing.  I was taking photos of everyone.  I am glad I was taking all of these photos.  
     For a hundred years painters in New England have gathered to paint in Jeffersonville, Vermont.  Aldro Hibbard was one of those painters way back when.   Stapleton Kearns, T.M. Nicholas, and John Caggiano gather a new group each year.  Now a few ladies are even invited to paint with them.  
   Here is either Michael Graves on the left or Paul Goodnow, Barrett Devitt, and John Caggiano.  They were walking to scope out painting locations before lugging their painting equipment.  
    I am really not sure who these two painters are.  Boy was it cold!  Snowing too!
    Here is Lucia Deleiris painting.  Two young boys with two golden retrievers were walking to check out what we were doing.  
Here are more snow painters in Vermont last year.  We haven't had too much snow this year to paint in snow.  I hope we get more snow soon.  
  T.M. Nicholas painting in Vermont.  He always worked on canvases 30x40!  His paintings seemed to be finished after a few hours.  He wore 12 layers of clothing to keep warm.  
Here is Stapleton Kearns painting.  If you would like to learn how to paint in the snow, he teaches a Snow Camp in New Hampshire each year in January.  I attended his Snow Camp two years in a row.  I can't attend his Snow Camp this year.  Here is the link for you to sign up for his Snow Camp. Stapleton Kearns is a great teacher.  There is a market for snow paintings.  You just need to learn how to paint a good snow painting!  That is the trick Stape will teach you.   Have a good night!   http://www.stapletonkearnsgallery.com/news.html

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January 18, 2012 A Tribute To My Friend Paul Goodnow.

by Susan Renee Lammers on 1/18/2012 7:37:19 PM
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 Painting by Paul Goodnow.

     My painter friend Paul Goodnow passed away last night.  His passing is a huge shock to many of my art friends.  He was a really nice guy.  Everyone who met him loved him right away.  I was reading my Facebook messages to Paul.  Many times he spoke about many of our painting friends.  I thought I would post this Facebook conversation which took place over the past year.  I think you will get an understanding of how great of a person he was.    I hope Mike, Tom, John, and Stape will enjoy reading what he said about them.  He always said only good things about everyone.  Rest in peace Paul.

 

 

Paul Carter Goodnow

 

Hi Susan , John tells me good things about you . Guess you all had good painting trip.

 

July 20, 2010

 

Susan Renee Lammers

 

Hi Paul. Good I am glad John is telling you good things! I like John. He is welcome here any day. Sweet guy. Cooks and paints great! Has beautiful skin! Sickening! Ha Ha. I hope I get to meet you someday too.


August 15, 2010 Paul Carter Goodnow

 

serious question , when you paint on copper do you scuff it first? other one if you have misses do they turn greenish or just darken in color , the copper must get expensive compared to regular panels . I am set on regular panels but curious . It must take awhile to dry too compared to working on other materials , I worked on natural gesso panels and they drank the paint up . How did you get started on copper?


August 15, 2010Susan Renee Lammers

 

Hi Paul! I have a book out of print called, "Copper as a canvas" by a Phoneix Museum. Copper paintings were thought of as a lost art as when the medival artists died their secrets went with them. They xrayed copper paintings to discover this: They sanded the copper first, or put raw garlic on panel, or gessoed it with white lead. Those are the options. I prefer to sand it. It takes same time to dry as any other substrate. I asked Gamblin art conservator what to seal it with. They suggested three things: Galkyd OR Gamvar OR cold wax. Any of these will coat the finished painting. I prefer Galkyd. 
There are a few traits of copper that are great for archival painting substrate. The thermal cohesive expansion of the copper is almost identical to that of the oil painting. (When it gets hot or cold they expand and contract at the same rate) There is similar electrical conductivity too. 
Thanks for your interest. On my website is a heading called Why Copper? More interesting info and photos! 


August 15, 2010Paul Carter Goodnow

The expansion , contraction makes all the sense in the world as does the durability of the material . using Gamvar or Galkyd over a sanded finish would nou doubt create an excellent substrate to paint on . I find it very interesting thanks for the info . I painted a few times on hardboard panels which I had simply scuffed then varnished just before i painted , I liked the way that the misses that showed were a dark brown color and I know I could have simply toned it or used a white primer if I didn't . I am guessing you don't ever paint too large because the cost and weight would get prohibitive . When I was about nine , my uncle got me doing scrimshaw and he would go to the scrapyard and get ivory piano keys for me . I wasn't allowed to chew tobacco to rub into the scrimshaw , had to use crayon , but I had ivory that was cool.

 


August 15, 2010Paul Carter Goodnow

 

I buy old artwork , more so before than now but I was afraid of buying a work that was on tin or copper , you make a strong argument for copper because flaking and crazing would actually seem less likely if prepared correctly . Also I tend to look less favorably on paintings done on the cheap canvasboards because they are to me a lesser material and more common. I still had and have paintings on the canvasboards but I would rather see a cigar box top(quirky and less common) or a homemade panel(artist took the time to prep it or it is what they preferred. Copper is now raised to a higher level in my mind , I still prefer the hardboard for myself . If you estimate it what does an actual piece of copper panel in a 8x10 cost? Do you sand them with 150 or finer like 240 or so? I use 180 to 220 on my hardboard.

 


August 15, 2010Susan Renee Lammers

 

I am honestly not sure how much one copper panel costs. I just buy in bulk. You can buy copper panels on internet or at sheep metal shops. I galkyd after the oil paintings dry, not after I sand it. The galkyd in on the dry oils to act as a final protective cover to seal the copper from turning green. I do leave some spots of copper un painted. They shine as a person walks by the painting. There is only very little specks so it is not distracting. You are wise to purchase paintings on good substrates. Copper was percieved by churches in the 1500 and 1600 to be the highest quality substrate possible. They did not want any canvas in their churches. Only wood or copper. Copper doesnt get affected by water! For the sandpaper? Doesn't really matter, only preference! Thanks. Glad you are loving copper! They are jem like!

 


August 23, 2010Paul Carter Goodnow

 

Hi Susan , was reading what you wrote about Birches . I think that is the beauty of a birch is how the reflections of uther colrs around them make them so interesting . Gruppe loved a good birch painting making them the subject in many of his pieces. The artist that first got me to go up to Vermont to paint was John Loughlin, he loved painting birches.Late in the trip he was not feeling well and he wanted to stay near the cabin and find a stand of birches to paint. We sat in the woods behind the cabin and it was the last time we painted together, he died of cancer later that year. I remember a year or so later having to paint a scene for a show, It was a location with these great barns and fields but I saw these birches and I made them the centerpiece . I was thinking of John alot while I painted it . It is still the largest piece I have painted , about three times the size I normally was doing ,a real departure for me from what I was doing and it won an award . I love birches .

 


August 23, 2010Susan Renee Lammers

 

I am liking the birches too. They have some beauties up here. So Vermont has nice birches too. I think what he told me about no browns in the birches is right. Do you?

 


August 25, 2010Paul Carter Goodnow

 

Susan , I was seeing alot of blue in the shadows as always but I would say blues and greys and more toward black than brown . I seem to remember blues mixed into the white , maybe pink even then a bit of lightened naples yellow mixed in where the light hit to get the warmer areas but no not so much brown . They are just really clean and always stand out among the other trees . We had alot of them on my dads land when I was a kid , I never even thought about how many I cut down putting in my driveway until I was thinking where are the birches . We had lost a bunch in the seventies to an ice storm that broke many of them . I actually went out looking to find some and I did but they aren't big or strong or healthy looking either . I hadn't thought too much about the color before bnut good point.

 


August 25, 2010Paul Carter Goodnow

 

Now I feel like painting birches , see what you did?

 


August 25, 2010Susan Renee Lammers

 

Are you going to paint on birches on copper? LOL?There are many great birches at Fort Point State Park. They are curvey and not just straight. I saw no brown tones today in the birch. I learned that brown was an interior decorators term! LOL not a painter! I am learning a lot!


August 25, 2010Paul Carter Goodnow

 

 I am a simple panel type.


August 26, 2010Susan Renee Lammers

 

Good for you, better than canvas! I hope to paint with you soon. Stapleton Kearns says you are a really nice guy!

 


October 16, 2010Paul Carter Goodnow

 

Susan if you get a chance see what images you can find for the work of the late Walter Douglas. He painted chickens ducks and such . he was an excellent artist and is well listed . I have bought and sold many of his pieces , I own a few really small ones now but they aren't nearly as nice as the ones I sold. Askart and such will likely have images . I only mention it because whenever I see fowl pieces I think of him first.

 


October 17, 2010Susan Renee Lammers

 

Interesting! Thank you for thinking of me! I will do a search today. I think I like to paint white things. I am not sure if it is the chicken. Although I have sold many chicken paintings and seagulls too lately. Pretty funny!

 


October 30, 2010Paul Carter Goodnow

 

too funny that Stape is like the glue that hold us all together . Marc Hanson was mentioning him the other day to me . I'm glad he tells people I am a good guy . But as I hear it I start to wonder what am I doing wrong that people have to ask that question? Picked up the solo show . Sold just the two at the opening but feels good to get things home again nonetheless .

 


October 30, 2010Susan Renee Lammers

 

I asked him about you because I saw your name a few times on his page. I guess I was looking for some neutral conversation. LOL. Sorry if it sounded funny. GLad you sold two! I think that is good right now! Should be happy! I have 5 sold at Skyline Farm. 300$ for 5x7s. Not bad I guess. Sold another commission. 285$ for 8x10 unframed. I am starting a painting marathon tomorrow. Broke! ha ha. Need to pay some Dr. Bills! I am going to paint tomorrow~

 


October 30, 2010Paul Carter Goodnow

 

 I just thought it was funny because Marc said the same thing and I am kidding but you here that twice and say what do I do that people ask that so much . I do think it is funny how well we all can get to feel like we know each other without ever having actually met , but with facebook and friends in common it is pretty easy. I haven't asked Stape but John said you were a really nice person so I have that reference already .


October 30, 2010Susan Renee Lammers  

 

Oh yeah I like John! So does my husband Robert. John is like family here when he stays with us. We had a blast in Nantucket! Someday we will all paint together. Maybe painting this Winter in Vermont of NH. Stape doesn't ever say bad things about anyone. He is great about that. I don't think he hangs out or communicates with bad people. That is smart. 

 


October 30, 2010Paul Carter Goodnow

 

John used to have these mad fourth of July parties . He invited me but I never got there , it is an hour three quarters and if any drinking took place I wouldn't be driving back so I hadn't gone . But by the time I was ready to go they stopped . Pretty much the neighbors on one side ruined it for him but I had heard they were the best of times with fireworks galore . Sorry I never saw it and you know John , it must have been great , I feel I know some of his neighbors pretty well through John now. I get a feel for some people just if John doesn't get along with them , you know how that is . He is a good solid person , says what is on his mind , good sense of humor , class and very intelligent , I hope some of it wears off on me someday!

 


October 30, 2010Susan Renee Lammers

 

Me too. I am learning about the art world from him. I even think I learn some about painting from him. Sorry you never got to go to his wild July parties! Sounds like it was fun. I love parties. I will come down there someday to paint. Maybe you will join us! It would be a pleasure to get to know you too.

 


January 11, 2011Paul Goodnow

 

Hey whats this ? making us look bad? You are offering to bring steaks while the rest of us are pairing up doing half meals each? Actually my wife had been talking about the steaks but we weren't sure what it would be like cooking them , there may be a grill but outside I think not sure , definitely a stove with oven . I told Mike Graves you wanted to bring steaks and he said What no Lobster? Can you be from Maine and not ever hear that?


January 11, 2011Paul Carter Goodnow

 

When we were expecting twelve people or so, I suggested to Tommy that He and John team up to do one nights meal , Me and Mike do another , Stape and one of his do a meal and two of the girls do a meal . That way we were sure to have the four nights covered and nobody is carrying one meal alone then the rest could bring breakfast stuff and we could have that covered as well . Barbara is going but maybe not the whole trip as I heard it , if you and Catherine teamed up it might be easier , just suggestion but could be a good plan . Lucia Deleris is I believe going too.


January 11, 2011Susan Renee Lammers

 

That sounds like a good idea. Stape is bringing a casserole. He said he was going to bring so much I could use some of it in my shoes to keep my toes warm. how nice. I hope it won't have onions in it! I do like onions but not on my feet. I thought I would pick up some steaks. I might leave here in Maine on Thursday and drive up straight to Vermont. We are getting a big storm.

 


January 11, 2011Susan Renee Lammers

 

Ha ha. I can bring lobsters for sure. It would be difficult maybe to keep them alive. If I go get them on Thursday and start driving. Then Friday morning arrive. I thought about that for sure! I don't know if they could be alive in a bag for two days?

 


January 12, 2011Paul Carter Goodnow

 

Again , it is the same thing too many people must say though right? We are bring chicken noodle soup and adding the noodles up there , Barbara is bring Vegetable Soup too , I think Tommy was talking about chicken cutlets or something to that effect anf John was talking about spaghetti and meatballs last I heard.

 


January 12, 2011Paul Carter Goodnow

 

I liked that little painting I saw but if copper gets too expensive you may have to switch to aluminum or tin or something . It is something about the color underneath that is nice too isn't it? Can't help but think how heavy does a bigger piece get , does it help keep the easel from blowing arouind on a widy day? Panels have always been my preference to paint on and smooth ones too .

 


January 12, 2011Paul Carter Goodnow

 

I talked to Stape and he was in Minnesota . I heard he might come back . That is his famous Garfelfuse I believe . I would miss not having that I think .


January 12, 2011Susan Renee Lammers

 

Yeah? It is that good huh? What does it have in it?I use to like painting on gessoed 3/4 inch birchwood. But the copper is much easier. I paint small. 

 


January 12, 2011Susan Renee Lammers

 

I have a feeling we aren't going to starve! LOL


January 12, 2011Paul Carter Goodnow

 

I could use some starving .not sure, but it is good.not long now , I have to go and dig out the big boots . They are funny , one time a guy we were painting with said "oh it is you , I was looking around wondering who was leaving snowshoe tracks . they have liners in them and are huge but they are warm so I don't care . I have columbias that are for like fifty below but the 100 below dont fail me , who cares what it looks like , stable too.

 


January 12, 2011Paul Carter Goodnow

 

3/4 , I used to use the 1/4 inch hardboard before i went to the thinner type and that was pretty beefy . I have seen a few of the older birch panels about 3/8 or so and they beveled the edges . I always liked the home made panels as opposed to canvasses when I was buying dead guy art .


January 12, 2011Susan Renee Lammers

 

Yeah for sure. Canvasses are high maintence! My art professor Gary Bolding at Stetson University always said never do less than 3/4 inch birch. HE said it warped. Copper is great. No prepping!!!I have tran-alaskan III boots by cabelas. Great boots!I know there is a grocrey store near by. I think I will let us all eat what is brought. THen I will go get fresh food, steaks for dinner. Potatoes, and salad, and desert! I just am thinking if I bring a casserole by day 4 it might taste bad!!! lOL

 


January 12, 2011Susan Renee Lammers

 

HiNice painting you posted. Are you in jeffersonville, now?

 


January 12, 2011Paul Carter Goodnow

 

I worked from photo reference and finished that for one of the galleries there . I work full time framing so can't get out to paint much . I will probably just about start getting something the last day of the trip . Been going to Jeffersonville since 2003 and doing a couple of events too but just not practiced enough pleinaire.

 


January 12, 2011Paul Carter Goodnow

 

yeah, even though pizza tastes better the next day sometimes , by day four not so much but then again it doesn't usually last that long . Sounds like good thinking .


January 13, 2011Susan Renee Lammers

 

I think it is good thinking too. I am going to be driving a long way. So I will just take a poll on what they want to eat! Is there pans and salt and pepper and plates there?I think your work is great for not doing it full time!!!.

 


January 13, 2011Paul Carter Goodnow

 

Thank You , I wish I had consistently stayed with it , got my first set of oils at twelve because my mother was painting but it was too hard without instruction and not my idea , I was always drawing but didn't take classes at Risd and Providence Art Club till around 1980 or so, then let it dro till the 90s and started selling some while I was making frames , started pleinair-ing in 2003 in Jeffersonville with the Late John Loughlin. I am a professional the way I see it but just parttime for now . Bring back the economy .

 


January 13, 2011Paul Carter Goodnow

 

The cabins are pretty well stocked , one of the things we really like . They have microwave , stove , oven etc. pots pans dishes . Salt and pepper maybe but there is convenience stores nearby and can to grocery as well

 


January 13, 2011Susan Renee Lammers

 

I sold alot but it costs so much to make a painting.  I don't sell my work for much $ yet. If it were not for Robert I couldn't paint full time. He is a great guy. I am going to Burlington Vermont tomorrow and stay at their hostel for 30$ a night with Lucia. Then we will drive over to Jeffersonville in the morning. We didn't want to drive 7 hours and then have to paint all day!!! I want to be well rested for this. Looking forwards to meeting you.

 


January 13, 2011Paul Carter Goodnow

 

Likewise , there is a guy lives in Burlington , name Scott (malcolm )Dubois, an excellent painter we paint with him in Jeffersonville but I think he has a studio or shop in town there so if you see him say hello.


January 13, 2011Susan Renee Lammers

 

Ok. I bet Lucia and I will head outside to paint immediately! Safe driving!

 


January 19, 2011Paul Carter Goodnow

 

Renee , glad you went , missed not having the steak but tommy called from the road , said Barret enjoyed it . Mike didn't want to wait or I would have waited . Got home about twelve thirty . Can't wait to see you post that little artist painting piece , liked all your work but that was really something . Next snow trip I am going to strart going out at least once a week before I go and for about three weeks in a row . Painting inside didn't prime me for that at all . Trip was fun , nice meeting some facebbok friends .

 


January 19, 2011Susan Renee Lammers

 

It was great meeting you Paul. I knew you would be special from all of the warm comments from your friends. I will post all of my paintings tomorrow. I posted some photos tonight. I will post a few of the painters. My computer cord is burned out and only allows 5 mintues before cutting out! I have to use Robert's laptop for typing but need my laptop for downloading my photos. I will go try to buy a new cord tomorrow. Sorry you didn't get to eat steak. I just received an email I was accepted to the Calloway Gardens plein aire event. John and Lucia were accepted too. cool.

 


January 21, 2011PaulCarter Goodnow

 

I was impressed with how finished your pieces were out there in that. I was thinking that studying with Stape you may want to optimize things by trying a few 18x24s even if you work on panel or canvas because he emphasizes the use of big brushes and such .You always have the small copper things going but could add the big stuff different substrate as well , if you get comfortable big it gives you more options while you pleinaire . I have taken out 16x20 in fall even though i am most comfortable in the 10x14 , 9x12 range . I think you are fast now but if you are doing the big ones you will get faster .

 

 

January 21, 2011Susan Renee Lammers

 

Thank you Paul. Stape told me I do need to start painting big again. It is good to do both. I am invited to a plein aire event at Callaway gardens in Georgia in April! I could make so much more money with larger works. I was waiting till I became a better painter and there was the need for them. I had so much fun talking with you. Glad I was able to get to know you.

 


January 21, 2011Susan Renee Lammers

 

Yes. I know. I think I wanted to be true to myself but learn too. I am selling so many small works. I would love to work big. I have been admiring wooden doors at homedepot. They are light and giant for 20$. I like panoramics. I could sand and gesso a few to try it out. I want to use a printing brayer to cover large areas. Use a house painting tray or two. Sounds like fun!

 


January 21, 2011Paul Carter Goodnow

 

Stape had talked of double box sizes , I think that is what they call them , 20x40 is a good one , you saw susans , that is big but even the 18x24 which Stape does pretty often , if you are working with him you can gauge things pretty well in that size . John does 12x24 I do too , double box panaramic and managable but a jump up in size for sure . When I start to get comfortable in good weather I try to go bigger .

 


January 21, 2011Paul Carter Goodnow

 

You do so well on those little ones and you have that but the bigger ones are more impressive and good for a blog sequence too , I remember never really getting all the panel covered in an attempt then finally I always get at least that done and sometimes pretty good results . But you are past that and ready to go bigger . They say you can get away more easily with mistakes on a small piece so larger holds that challenge too.

 


January 21, 2011Susan Renee Lammers

 

I am going to suprise you someday! ha ha. YOu workiing hard carving wood frames today? Not feeling too hungry again today. Wierd. I always eat a lot in Winter. I went through all our receipts today and wrote them down under categories so I can add them up. Easier for accountant.

 


January 21, 2011Paul Carter Goodnow

 

You surprised me with every one of your paintings being solid in that stuff , I guess you might touch up here or there but they looked sellable . I carved a little but other things needed doing like toning and painting the backs of some . It wouldn't surprise me if you were right there painting big paintings with the rest of them . 

January 21, 2011Susan Renee Lammers

 

Thank you. I work hard painting plein aire. I was so hard on myself while I was there. I am glad Stape discovered I had on a ladies dress trench coat instead of a good arctic coat. Maybe someday I will be painting all day outside in snow. I am of the opinion small paintings are special and valuable. I know I can get more bucks for big paintings. I just have been trying to paint lots of paintings and resolve them. I think I can do that. I painted over 1000 paintings last year. I think only about 20 were really bad. They are upstairs still. I need to figure out how to take the paint off or something!! Maybe I will throw them away. I won't have to think about it then. LOL

 


January 24, 2011Paul Carter Goodnow

 

well , you got through that day . I hit four of the paintings from the trip , not the goat yet , but four others , I think I will pull out two or three that I like , maybe not but I like wealking away and coming back another time . I have a 20x30 of the Essex Conn . Marina and a Mill pond in Conn that I want to finish so I go to those then go back to the Winter stuff . And I stay warm while I am doing that .

 


January 24, 2011Paul Carter Goodnow

 

So far the pieces from that trip are still killing me , I needed relief so I sketched out and started a Rockwellish Ice fishing thing , Dad and son , so far so good may be the next thing I post. I am trying to change the clothes on the people in the photo because I don't want them in camo.

 


January 24, 2011Susan Renee Lammers

 

I loved the goat. You did such a great job!!! I left mine alone. I decided to allow all of it's good and bad to exist. I can always do a studio rendering of it. I did fix one leg of stape's easel. I just used my finger nail to create a bit of a leg. I know they aren't perfect. 
Ha Ha that was such a rough day!! I went through every emotion I have in me! I am glad I slept great that day or the next day would have been worse. Hee Hee. I learned so much from that five days. Thanks for telling me how you do your wood frames. I have always wanted to know. I have more respect for them now.

 


January 24, 2011Susan Renee Lammers

 

I am looking forward to seeing them. I did two 4x4 inch paintings today. I sold a painting last night. I also had a collector inquiring via email about my Nantucket paintings. I like action!!! Exciting. I have another collector who keeps looking at my site for a match for his 4x4 he bought off my site a week or so ago. He collects in pairs.

 


January 24, 2011Paul Carter Goodnow

 

Glad for the success Renee and I see why , your work is great . I want sales too , but you can't exactly force them .

 


January 24, 2011Susan Renee Lammers

 

Thanks.  I just blog and paint!!!  Smaller work sells if it is at a good price. If I do a show I keep my prices the same. 

 


January 24, 2011Paul Carter Goodnow

 

Well you can force them only if you give them something they feel they absolutely have to have and it is priced right . Winter is always a bad , slow time all around but too slow right now .Frame orders are just about nonexistant at this minute . I did get two calls from the customers I did frames for the last two jobs , one was a killer blackchina trade frame heavily carved and it was 974.00 guy called up saying he loved it and got compliments on it from ther dealers at the art show . Other was a big female portrait 37 x47 from about 1910 top quality expensive painting , frame was a 1360.00 piece carving fit perfectly with the portrait , he called to say he loved it . Very nice to hear .

 


January 24, 2011Paul Carter Goodnow

 

Never get tired of praise , but there was a frame to do another Chinese trade piece around 1500.00 and lots of carving with the special black lacquer look that i have prettyy much perfected . I figured on a deposit as soon as I got back . Took a couple af days then I got approval to go ahaed , they called back later and said to wait


January 24, 2011Paul Carter GoodnowThey said that since the scene was of a village not the typical ship scenes , they wanted somethiong special and when they decided they would call . I am on hold now but expect it to be a bigger job in the long run , just stalled right now . Tommy ordered something and another artist so I have that but I am used to having work lined up.

 


January 24, 2011Susan Renee Lammers

 

I don't know if you are a christian...prayer helps.  Goodluck with the sales.

 


January 24, 2011Paul Carter Goodnow

 

Include William Lester Stevens, Anthony Thieme and Harry Aiken Vincent in that and check out our friend Tom Hughes work , he is on facebook .


January 24, 2011Susan Renee Lammers

 

Ok. Yes I am very familiar with Thieme. Will look up rest. Thanks a big one. really helps.

 


January 24, 2011Paul Carter Goodnow

 

 I would have one of your pieces through a trade if I wasn't broke . I own two of Stapes and about twelve of Mikes , one of Tom Hughes , you should really see his work , he is a guy Tommy Nicholas raves about . Great guy too.


January 24, 2011Susan Renee Lammers

 

That is a collection. I was wondering how many women's paintings you owned. Zero!!! Ha!

January 24, 2011Paul Carter Goodnow

 

Advice, keep your buyers secret from all , they are yours and valuable as such , not that I always follow my own advice but there are so many hungry art sellers . I may send some buyers to you if I see opportunity , you may be a bigger bargain than you think especially because of the uniqueness of the copper substrate but quality of your work is there and that is most important.


January 24, 2011Paul Carter Goodnow

 

In this case it is one of the best China trade pieces , no trouble with the finances I'm sure but they are looking over frame references and likely going to give me a challenge but this is where I can excell , seriously the boys have never seen my best .It just has to be something affordable for trhe artists , here I am framing a 60,000 or more piece . I did a killer 20x30 frame once in about four inches wide but all handcarved at three different levels it was 3600.00 then and would more now but if anyone pout together a retrospective of my best frames I guarantee it would wow people .


January 24, 2011Paul Carter Goodnow

 

There was a collector that was buying my frames for about fifteen years , he started buying through a dealer then directly , always getting killer stuff . he would often get one of a kinds that I would copy or design for the pieces .He ordered one small piece that I had to cut from raw wood on a tablesaw then shape the molding with my carving tools and carve it before gessoing and gilding . He said I want you to come to my house and deliver it .I did and he showed me his collection of museum paintings , the George Hallowell in the special frame I did for it and so forth , there were about twenty pieces . all killer paintings and my frames wowed me as I saw them again after so much time . He had donated one on a painting to the Gardiner I believe .


January 24, 2011Paul Carter Goodnow

 

There were pieces I did not knowing it was for him because of the dealer involved , it was amasing and I knew he did it wanting me toi see , I was however shocked when he passed away from cancer months later . he knew he was going to be gone and must have wanted to see me see his collection , I saw his wife for just the second time in all those years at the house that day , he was just 54 .You know you are getting old when your collectors are dying off , It has happened to several in last few years .


January 24, 2011Susan Renee Lammers

 

Thank you Paul. That is so sweet. If you do refer someone I will give you a painting as a present. I think the though of you doing that is so great! I am flat broke right now myself. Eating lots of potatoes! Ughhh! I am spoiled so it is hard.Sorry to hear about his passing. I can imagine how you feel. Stape talks about many painters he painted with that are gone. We just need to be productive and have a good time while we are here. We should be kind to our family.


January 28, 2011Paul Carter Goodnow

 

We are big Amacing race and survivor watchers .

 


January 28, 2011Susan Renee Lammers

 

Yes I love reality tv. I am heading to Stowe, Vermont Monday, tues, and Wednesday. Found a nice hotel there called Stowe Hotel. The rates are cheap 70$ including tax for one. I talked my friend Barbara Carr into coming up there to paint too. I am going to NH tomorrow to paint in Sugar Hill area Stape's Snowcamp. I have a new Arctic jacket. I hope I can finally get out and paint in snow!!!

 


January 28, 2011Paul Carter Goodnow

 

really nice job on the people painting pieces , but hard sells aren't they? You really got some gems out of that trip.You will be fine. Handwarmers for the mittens and you are all set. Maybe a couple of kickstands for those boots to keep you upright.


January 28, 2011Susan Renee Lammers

 

I am not sure if it will be a hard sell. I paint what I want in my house. I wanted them as a memory. That is why I put a high price on them. I didn't want to sell them. My other snow camp painters I kept. I like to have them framed in my studio! They are drawing a lot of attention on my website though. Thanks.

 

Here is one of the paintings Paul Goodnow was writing about, "Stapleton Kearns and T.M. Nicholas" 8x10 private collection by Renee Lammers.

 

"Winter Painters in Vermont" 8x10 oil on copper private collection by Renee Lammers


January 28, 2011Susan Renee Lammers

 

h aha. So funny about kickstands. My cabelas boots are size 12. I am a size 9 ladies. So I think these boots of mine are three sizes too big. Really hard to walk in! I am always falling down in snow.

 


January 28, 2011Paul Carter Goodnow

 

Yes that is what i meant good for you and to remember a trip by for sure but more of the painters painting. You know what i mean The ones everybody tells you they like and they do but buyers buy something else , thinking about it "who am I to tell you about selling ?" you sold plenty just last year . I just have that background of buying and selling for the last fifteen years , I know what has been good to sell to majority and what is too personal , I still do the wrong ones but ..... when I stop and think on it I should know .

 


January 28, 2011Paul Carter Goodnow

 

Splints or kickstands something like that . Those boots are awesome don't let your husband use them he might not want to give them up.


January 28, 2011Susan Renee Lammers

 

ha Ha. I never really think about painting what will sell. I paint what I am dazzled by. I am pretty picky about what I paint. I seem to be doing ok for sales. I like what Bernard Corey did. He sold wholesale to galleries and dealers. That is what I will do. I think.


January 28, 2011Susan Renee Lammers

 

He doesn't seem to need these boots. He cross country skiis. He is from Holland. He is also an athlete. He has a 46 per minute heart beat. Pretty amazing person all the way around. I do like these cabelas trans alaskan boots. I hope you have a great night. I have to go pack!

 


January 28, 2011Paul Carter Goodnow

 

I am going to spray gesso , have a great trip.

 


January 28, 2011Susan Renee Lammers

 

Ok. Work hard! Thanks.

 

January 28, 2011Susan Renee Lammers       Are you still carving? Or gessoing? I was cutting copper for my trip. I hope I can paint well.

 


January 29, 2011Paul Carter Goodnow

 

I just got the gesso sprayed and the compressor blew up last night . I was coating a frame for Tom , one for Mike and another for Eric Minzner , if it blew up sooner would have been really bad . I was using a small backup compressor because my heavy duty one is 220 and I hadn't wired a box for it in the barn yet since I moved from old shop , I think it is time now .

 

Just a side note , ever since you painted with John in Maine he has said that you and your husband were the nicest people and he has mentioned ahead of time that you were going to Vermont , so even if he was laughing and photoing you when you fell , he really was looking out for you . I expect you knew that but from where I stand I saw him as one of the people you can most count on out of the group if you want to be kept in the know and be a part of things , John and I know eachother pretty well through the years , he is a very solid guy and definitely a good friend to have and on that trip up there we often team up to get there then the group comes together once there . Johnny was keeping tabs on you to make sure you got there o.k. you and your husband have a good friend with John .

 


January 29, 2011Susan Renee Lammers

 

Oh Yes I know this. I thought it was fine John taking photos of me when I fell down in the snow!  I know he has the best heart and intentions. I talk to him regularly on the phone. He is a good friend of mine. I don't have any bad things to say about him at all. I love John in a friendship kind of way you know? In fact I liked all of the painters. Hope it didn't come accross I was disliking John. I was embarrassed about falling down infront of you all. He did suggest to me to buy a pair of boots that fit. I will eventually. Thanks!

 


January 29, 2011Susan Renee Lammers

 

Ahhh so sorry. Another expense. Maybe the new one will work better. My computer sort of burned out. I am using Robert's now. Boy, his computer is so much easier to use! It has been a blessing.

 


January 29, 2011Paul Carter Goodnow

 

computers get clogged up and need cleaning just in normal use but the technology improves rapidly so going from one to a slightly newer can seem a huge difference . If you work it right you can trade him for your boots then get him to buy you boots the right size too. I am thinking there is a way to use radiant insulation to stuff the boots and make them fit better and you would warmer than you need to be but really is it ever a problem having feet too warm when out in the snow?

 


January 29, 2011Paul Carter Goodnow

 

No that was me thinking about how John quietely goes about lookinmg out for people , he kind of is in the shadow of some of the others you know . He doesn't make a big deal about it but if you are around the group enough it gets noticable . Tom is a very humble guy and gets annoyed almost if people praise him , it just isn't him , Eric is humble too and very talented as well as a super guy Stape is talented and a big personality so he gets plenty of attention . John has alot of experience behind him , has had plenty of success on his own and with that group he is out there painting up a storm but hasn't always gotten much attention in my opinion .

 


January 29, 2011Paul Carter Goodnow

 

Maybe I played it up a little teasing John when he was taking pictures as you were down in the snow but I was just joking . What we usually do in Vermont is just worry about getting there first however we travel and once there we pretty much do what we did the first day, we may call others and find them or just go off as we meet up and do something local . That first day you guys were painting alone and you got something , thaty was great , mike and I got nothing but we had to unload things . If John had invited you he would have made sure you were in on everything from the beginning and Stape just couldn't be there or he likely would have . Have you taken a good look at Tom Huges worK?

 


January 29, 2011Susan Renee LammersI looked at Tom Hughes work. He is a good painter. Thanks for telling me about him. I am sure he is a nice guy. John is a good guy.

 


January 29, 2011Susan Renee Lammers

 

ha ha. They sell out of those boots each year. Maybe I can get a smaller pair next year.

 


February 9, 2011Paul Carter Goodnow

 

Renee I got a commission to do four 18x24s of a couples house . pretty cool place and I see lots of possibilities there . Did a few small oils to show them what I liked. I felt a little rshed figuring they may buy the extra little ones someday but wanting do just do them quick . I feel it got me speeding up , moving pretty quick , using bigger brushes on the bigger painting now too . I should have done this before going to Vermont although maybe Vermont helped this .

 


February 9, 2011Susan Renee Lammers

 

Good for you Paul! I am not selling much this Winter. It is always slower. I am destroying 40 or so of my paintings I don't like. I think it is good for quality control! Some were fast plein aire..very sloppy. A couple were from working with photos too much! I have plenty of paintings. I just wanted to have only good ones out there. I have gotten a lot better this year. I bet I might get better each year? 

 


February 10, 2011Paul Carter Goodnow

 

Easy on the destroying thing , Maybe more sense in removing the signatures and giving as gifts . I have seen boxes of Mike Graves old pieces . For the same reason he hasn't got them out but stored in boxes . He doesn't destroy them , I bought a few unsigned that were fantastic , (he came by one day then signed them , I told him I bought them cheaper because he didn't sign them but he signed them so maybe seeing them later you may like them better

 

I have destroyed some but only after a long time of reflection , and maybe I needed a btu for the woodstove . Consider that they are good enough to sell for a little less than you usually sell for , remove the signature and have them for sale at less or give them for anniversaries , Bar Mitzvahs , Halloween ? An art dealer did that to my friend John Loughlin just before I started buying from him , they said he threw out hundreds , and I doubt they all deserved to be tossed .

 


February 10, 2011Susan Renee Lammers

 

You are right. These are just odd balls. I might keep them all and give them to children at the Bar Harbor art show. I bet a kid would just love one? It might really be a cool thing for a child!Yes. This is a good idea.

 


February 10, 2011Paul Carter Goodnow

 

I know an art dealer who would probably be able to sell them , if you value them less and remove the signature , set a lower than normal price and let her try . Next thing you know she will want the new signed ones and accept the price you normally want for them too. Lots of directions you can go in . This woman sold pieces for me before . I bet the ones you are talking about are good but you are just being to critical on yourself . Stape has an overall point about signed works that represent you outside the studio . I think it works when allowing a piece out to a gallery and into a show . You are not an amatuer , you have crossed that threshhold and well before selling all those pieces in one year .

 


February 10, 2011Paul Carter Goodnow

 

There is also a point to never feeling you have reached the top of a profession because you always want to get better I see that part . Humility is good as long as you are sure of yourself to a point . I know what I can do and know I can win awards , but I know I can improve .I know I can listen to others and learn and I also know others can learn things from me sometimes too. We all work as a team and we all get better 

 

 

June 18, 2011Paul Carter GoodnowI was in Kennebunkport painting with Mike for two and a half days , I got three little paintings and I touched up two others from the year before . What I found was that after being out painting for twelve hours a day , I got home to the studio and was flying through paintings , kindof shows the difficulty of painting outdoors I guess , at least for me . Been eight years of painting plienaire but just not enough to get comfortable . You are doing it right getting out all the time . The value is in knowing the light and what you see in certain conditions even when you take it inside .


June 19, 2011Susan Renee Lammers

 

That is right Paul. I had no idea what I would learn from plein aire painting until I learned. Amazing. It is like the unknown!

 

July 3, 2011Paul Carter Goodnow

 

I wish I could always use my frames . Those are a ton of work and especially for the China Trade paintings . Antique paintings of sailing ships at sea mostly and they aren't complete without those specific frames. I think you are doing so well selling in this economy as you are . Looks like you are having fun doing it too . Keep up your good work .


July 9, 2011Paul Carter Goodnow

 

Going to see what it is like to sell for less , oneday oneman show , I have 57 paintings ready and the smaller ones 6x8 and such are at 250.00each . I am donating ten percent of that to the Horse rescue organization . I go tommorrow , I will tell you how it goes . My 8x10s are at 400 but with no fees other than the gas and ten percent to the horsies it is like what I get from a gallery .

 


July 9, 2011Susan Renee Lammers

 

Great! I wish you luck Paul! You will at least gain collectors addresses too!Where are you having this one day one man show?

 


July 9, 2011Paul Carter Goodnow

 

I called this a one time thing the last time I did it and sold thirteen but the economy was better , it is about three or four years later hopefully near as good . I like to think I am better even if the economy isn't .

 


July 9, 2011Susan Renee LammersI hope you sell that many or more again!Good luck!

 


November 13, 2011Paul Carter Goodnow

 

Renee , when you get a chance see if that painting I posted looks familiar , I first met you painting right there though in snow and looking the other way.  (Daniel Corey painting)


November 13, 2011Susan Renee Lammers Yes, I remember! I posted a comment. Great painting!


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January 17, 2012 Winter Art Sale! Treat Yourself To A Snow Painting!

by Susan Renee Lammers on 1/17/2012 5:07:28 PM
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"Birch Tree at Duck Trap Pond" 5x7 oil on copper Framed in gold wood or brown wood.  350$ shipped free.  This painting was completed last January in 30 degree temperatures.  I painted until it began to snow heavily!
"Winter at Bradley Wharf" 8x8 oil on copper 550$ Oil on copper, framed in gold wood, and shipped free!
    This was painted in Bearskin Neck, Massachusetts on a cold February day last year.  Many painters come here to paint this building commonly called, "Motif Number 1".
"Snowy Spruce" 4x4 oil on copper.  Framed in black satin with gold lip and shipped!  250$
   Loved the golden sky early one morning at Ship's Harbor in Acadia National Park!
"Winter Twilight" 2x4 oil on copper.  Framed in gold wood.  Shipped free.  150$
     I hope this has inspired you to put on an arctic coat, five layers of wool and silk, 20 inch hunting boots, two wool face masks, a scarf, a few wool hats, and heat packs for each hand under two polar tec gloves.  Sounds exciting doesn't it?  Really once you have all of this Winter gear on, it is very pretty, quiet, and magical painting outside in below zero temperatures.  My favorite place to paint in on an iced lake in Acadia National Park where their fishing shacks are so creatively designed!  Does the paint freeze?  Only the white paint stiffens and needs some Liquin medium.  So get inspired and get out and paint!  I need to get inspired too.  It is too easy to sit inside of a warm house with the fire going.  

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January 15, 2012 Winter Roadtrip to Port Clyde!

by Susan Renee Lammers on 1/15/2012 5:07:48 PM
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   Here is Camden Harbor.  Many great painters have painted this view.  Someday I hope to also!  But not today.  Temperatures were under 10 degrees. 
 
    Another great view of Camden harbor in front of the Yacht sales office.  This was really pretty! 
   Pretty red cape home on John Street in Camden.
As I was nearing Tenants Harbor I saw a flock of Canadian Snow Geese.  I pulled the car over and tried to sneak up on them. 
 
There were about fifty of them lined up along the shoreline.  Will it will snow tomorrow?  Every time I see Snow Geese along a shore like this... it does snow!  They are beautiful! 
Love the honking noise as they fly!
    Someday I will paint these boats again.  I think the lobster boat on the left is wood!  
    There was no snow in Port Clyde!  
     I hope you enjoyed the trip to Port Clyde!  Have a good night.  Paint!

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January 13, 2012 Just For Fun!

by Susan Renee Lammers on 1/14/2012 11:11:03 AM
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    I discovered a website called www.mugtug.com/sketchpad .  I have never done this before! It was so much fun!  Here is Duke dreaming of bees!  Robert and I hope to become beekeepers this Spring.  
    Here is my first sketch with this website.  Daisy was the model sleeping infront of me!
    This is a self portrait with bees.
      Try to create your own sketch!  Let me know how you did.  I love it! 
      

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January 12, 2012 Painting A Skiff! Tips From American Society of Marine Painters.

by Susan Renee Lammers on 1/12/2012 3:03:47 PM
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   I asked Robert to look at my skiff drawing last night.  He pointed out the drawing of the skiff was wrong on the upper right hand side.  He was right!  Today I worked on correcting the skiff's drawing.  I will ask him again tonight to look at the skiff again.  I hope the drawing is correct now.  I worked today on the water reflections.  I may almost be finished!
   It has been snowing all day!  Here are some photos of Daisy and Duke.  I may venture out tomorrow to paint and take photos!
   Daisy loves the snow!
     Here are a tips published on the ASMA or American Society of Marine Artist's website.  
Checklist of Some Things to Watch for in Your Paintings

1. 
Insufficient attention sometimes paid to light and atmosphere; often a lack of variety, idiosyncrasy, and interest in these effects.

2. 
Skies sometimes treated as a mere afterthought, despite occupying most of the painting. They don't have to be busy, just well thought-out and should harmonize with the rest of theme.

Some related problems:
2 a- Same value and intensity at horizon and zenith 
2 b- Cloud masses too heavy and crude
2 c- Blues and whites too intense, no atmospheric recession
2 d- Lack of compositional thought, skies argue with the rest of the painting
2 e- In some cases, “erratic” light source, producing contradictory shadows

3.
Unpersuasive handling of seas.

Some related problems:
3 a- Horizon colors as intense as foreground colors, and value too strong in background. Always keep aerial perspective in mind.
3 b- Transition from sea to sky at horizon too hard-edged. This cuts a line too strongly across the painting, leads the eye out and also tends to pop the horizon into the foreground.
3 c- Wave masses either too monotonous and repetitious on the one extreme or too chaotic on the other. There's a lack of compositional attention and this can indicate insufficient observation.
3 d- Excessive and unconvincing foam and spray. Again this indicates insufficient study of causes and behavior.
3 e- Absence of variability of tone and broken color in water and foam. Handle color to show transparency as well as reflected skies. Avoid excessive spotlights through wave crests and bear in mind that there are a lot more colors than blue. Make your seas engaging; they occupy a lot of space in your paintings.
3 f- Excessive use of pure white and no modeling of waves and spray through light and shadow.
3 g- Spray can vary in its effects from tons of hurled concrete to the softest vapor. Its texture, weight, relationship to the wind and to objects it collides with must be varied accordingly.
3 h- In agitated waters, there's not just foam upon the surface, but aerated water beneath the surface.
3 i- Lack of awareness of physics of wave formation and behavior in different bodies of water under different wind conditions. Different bodies of water have identifiable characteristics, and sea states often depend on fetch, depth of water, bottom contours, silt, etc. Watch out for painting short-period seas off soundings, and they don't break as they do on a shelving beach.

4. 
Basic drawing problems.

Some examples:
4 a- Twisted, torqued vessels, horizontal planes not agreeing. 
4 b- Drooping foregrounds - foreground descends too rapidly to bottom of picture plane and foreground objects, e.g., small boats, look like they're climbing a hill.
4 c- Disagreeing vanishing points, vessels on different planes.
4 d- Lack of attention to appropriate scale, object to object, in the same paintings.
4 e- “Banana distortion” problem in bows-on picture (i.e., centerline curves toward or away).
4 f- Absence of fair curves.
4 g- Failure to correct perspective distortions when using models or photos.
4 h- Displacement problems; e.g., when vessel is depicted on leeward side, if eye were placed on windward side, it's clear that practically the entire hull is out of the water. Vessel must “sit' in the sea.
4 i- People out of scale.
4 j- Failure to flatten perspective lines when ship is at considerable distance (ship looks torpedoed). Also, you aren't going to be looking up at the rigging when the ship is two miles away.
4 k- Masts out of perpendicular with athwartships deck lines. This gives and exciting angle of heel as indicated by the masts, but ship is on a relatively even keel. Excessive and unreasonable heel is something to watch for in general. 
4 l- Common error in buntlines, lifts, and headsails filled on downwind runs. Do not place reliance upon some other artist's interpretation of these things-he may be in error. Learn the gear.

5. 
Awkward movement of vessel in water. Vessel's “posture” is inappropriate to sea movement at that point. Also lack of attention to bow waves, wakes, etc. in respect to wind and sea conditions depicted.

6. 
Disharmonies between ship and sea-overarticulated ship in oversimplified “formula” water-tends to make ship look pasted on.

7. 
Wind direction as indicated by sail trim inconsistent with sea direction.

8. 
Overscale rigs (too lofty) a common problem.

9. 
Deck gear, standing rigging often insufficiently “hefty” for its function.

10. 
On the other hand, rigging often painted in too dark a value (e.g., black!) - Tends to make rigging jump off the canvas. All objects must live in their proper atmospheric plane.

11. 
Lack of consistency in wind direction for sailing vessels in close proximity to one another.

12. 
Too much sail carried given wind conditions for the vessel type depicted.

13. 
Lack of attention to the effects of “relative wind” on smoke (do a vector diagram). Pay attention to the combined effects of vessel's forward motion and real wind.

14. 
Sailing vessels doing 32 knots in enclosed waters in light airs.

15. 
Watch out for “monster seas” and implausible “Himalayan heights” given distance from viewer and height of eye.

16. 
There is much repetition of known and popularized ships and events (seven submissions of Old Ironsides to one show was the record).

17. 
Try to avoid too much borrowing of other artists' motifs and approaches. If someone else has handled something well, go on to something new.

18. 
Lack of compositional variety or interest.

19. 
Tendency to avoid interesting or unusual angles and perspectives.

20. 
In addition to the middle ground, try to think of interesting uses of the background and foreground. Give the viewer a chance to wander through your painting. They eye must do this by design or the painting tends to be dull.

21. 
Inattention to large masses of darks and lights. Does it hold up well as an abstract design just in its shapes and value contrast, subject matter aside?

22. 
Sometimes, and it depends on appropriateness there's an unwillingness to “suggest” detail. Over articulation sometimes leads to static results and sacrifices the illusion of movement and depth. Excess detail can also lead to confusion in the overall painting. The details must interact convincingly.

23. 
Failure to realize that figures draw the eye, so placement that is random, gratuitous or inappropriate can be risky. Do your figures help your overall compositional plan? Are they to scale and anatomically correct?

24. 
Emotional stance of artist can sometimes be excessively heroic, but on the other hand can sometimes communicate indifference, fatigue, predictability. Shorten the distance between your subject and your feelings.

25. 
Within documentary art, there's often too much concentration on too narrow a slice of history and vessel types. Where is the wider world? Unusual vessels? A greater range of eras? Rivers, canals, unusual ports, exotic special-purpose craft? What about regional peculiarities, interesting and evocative shorelines, odd events, naval engagements, interesting ways of handling cargo? Interesting works, drills and evolutions, aboard ship involving the crews as subject? For those who wish to be historic, or even contemporary, documentary marine artists, a deeper and wider reading of the literature is suggested.

26. 
Try to avoid repeating the same motif endlessly. Just try to envision a one-man show filled with the same painting and ask if it would fulfill you.

27. 
Exercise caution in “inventing” historical scenes before there's a thorough understanding of light, shadow, value, movement, modeling, texture, edges. The verisimilitude of a scene hinges on these things as much as on the factual knowledge of the artifacts.

28. 
Irrespective of your interest in the ship or scene, will it make an interesting painting?

29. 
Photos (once again): Imagine how you would feel if someone were selling exact copies of your original painting. Photographers are artists too and take pride in their work. They also often go to great pains to discover and pose a subject, waiting for the proper light. Often years of effort go into producing just a few gems, as is the case in our field. Photos are a tool; they often provide essentials information. Nevertheless, a literal photograph is usually the property of the artist who made it. Let him sign his work and your sign yours, it must also be understood that while a photo source may be archival and in the public domain, it is also probably well known in the marine field. It may be assumed that others are well read in the photo archives, and avoidance of direct use can spare much embarrassment.
   Have a great night!  Paint!

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January 11, 2012 Day 3 Painting A Large Skiff Painting!

by Susan Renee Lammers on 1/11/2012 7:15:48 PM
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    Today I worked again on the large skiff painting.  Here is the painting at the end of today.  I did a lot to it!  I painted for a while and softened edges.  Large paintings seem to require a lot of softening edges.  I discovered a paper towel (scrunched in a ball) can soften large areas fast.  I don't think this technique would work at all on a small painting.  
   Here is the painting with the Guerrilla Tape triangles removed.  I used a large palette knife to remove the triangles.  After two minutes the triangular copper areas gleamed.    I decided the whole painting needed a little destroying.  I went at it with the paper towel wiping and softening.  Then I used my (nearly hairless) size 14 flat kolinsky Old Holland brush and softened or covered each of these triangular copper shapes.  
     Here is a close up of an area with the Guerrilla Tape triangles removed exposing the copper metal.  You can see also my black felt tip pen drawing.  I didn't really like the results of my taped areas.  Maybe if the black felt tip pen weren't showing it may be better.  I don't think I would do this again.  Sure was fun to try!
    Here is a close up of the upper right hand corner.  This is after I cleaned up the triangular shapes of copper. There is a square shaped glazed over area in the lower right hand side.  I liked this.  I liked all of the textures.
   Here is a close up of the shadow side of the skiff after I softened and destroyed some!  I will work more tomorrow straightening the lines of the boat.  
  
    I love this picture of them playing!  Such genuine happiness is a delight to see!  I hope I will be genuinely happy too when this painting is finished!
     Tomorrow we are expecting a snowstorm!  Have a great night!

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Renee Lammers (207)479-9553
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